“What’s in a name?” William Shakespeare asks in Romeo and Juliet. “That which we call a rose by any other name would smell as sweet.”
By that logic, it matters little whose name is attached to the play Double Falsehood, which was published in 1728 and is practically unknown today. If it’s a well-written, compelling work, it should get produced no matter who wrote it.
In reality, however, we’re uniquely drawn to plays thought to be authored by the Bard of Avon. If he is, as many assert, the greatest writer in the English language, anything he penned is automatically of interest.
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